A string adaptation of this typical example of Mozartian pianistic music entails considerable readjustment to insure adequate representation of its salient features. Careful examination of the triplet figuration will reveal an independent melodic line which must be integrated with the isolated two-note phrases occurring in the measures with the crosshand parts. Other notes within tfor secondary parts in the treble. The real problem lies in maintaining idiomatically a legato effect for the middle strings without resorting to out of proportion technical difficulties. The version given here seeks to arrive at the general legato effect through the use of one or two sustained parts paired with repeated notes.he triplet movement are good material